One of the things I discovered when I pulled together my thoughts regarding the image at right is that it is the most recent in a related series. Predating the black-and-white digital composition is an unfinished oil painting. And long before both there was the ornately carved exterior of a large trunk my grandmother brought back from “the Orient” in the 1920s. (Actually, my grandmother did not visit the orient and return with the chest. Please see the correction at the bottom of this post.)
Also it appears that the process by which the reptile image migrated from canvas to pixels was not entirely conscious. I do not recall most of what occurred. Rather, my contributions were like what might be expected of a hired hand who can follow instructions but really isn’t all that personally engaged in the work from moment to moment.