Persephone

her

The image above is a dramatization of an experience I had recently on the platform in one of the MUNI underground railway stations in downtown San Francisco. I’ve gone melodramatic in this instance to suggest the impact the experience had upon me. The sense of seeing something highly unusual and hopefully conveying even a touch of numinosity.

In the actual experience a number of other people were present on the platform. For me the figure represented here popped out of the overall scene. The feeling was sort of, “Ah, there you are.”

As I’ve droned on at length elsewhere, I think that our minds organize information by associations. And when any particular cluster of associations achieves a high level of density a personality is spontaneously formed that might be thought of as an avatar for that info bundle.

For a little over a year, gifted with the time retirement allows me to spending doing any darn thing I wish, I’ve been experimenting with lingering on the edge of sleep. One of the outcomes has been that that edge has expanded into a zone where I now have the pleasure of lounging, sometimes for hours, treated to a pageant of images and adventures. The sensation is like visual listening.

Initially, how I entered the edge of consciousness zone seemed random, but eventually I realized that I could not think my way there. Rather, if I hold a particularly compelling visual image in my thoughts, the thoughts stop and I become a largely uncritical observer of visual images. I say images (plural) because as my thoughts retreat what I see is an ever-morphing spectacle … as soon as any particular visual image achieves definition it becomes something else. I theorize that at such times I’m cruising the maze of associations.

One of the many cockamamy theories I’ve come to hold in response to my understanding of my own experiences is that consciousness is the mind’s learned ability to moment-to-moment willfully ignore a tremendous swarm of info, while grasping particular bits of info of current interest which it organizes into a linguistic string.

To return to the figure on the MUNI platform, a couple of months ago I took it into my head to try to willfully cultivate a visually compelling avatar that might serve as a door through which I could consistently and quickly enter the edge of consciousness zone. I decided that I’d prefer the avatar was female and extremely physically powerful. I had imagined that if I mentally cultivated the characteristics I was looking for, the avatar would sooner or later present herself in the edge of sleep zone. But it appears I had that sort of inside out since I encountered an actual person on the MUNI platform that fit the visual bill to a T.

Of course, one might contend that I could only have such an encounter in actuality because the figure was already present in my unconscious. I mean, how can there be a projection without a source image?

In any event, regarding the actual person, though I would have loved to take her picture, I did not approach her or take her pic on the sly, which I felt would have been very bad form. I think in psychological jargon, I had come upon a stranger who could carry for me the projection of the avatar I had been mentally attempting to cultivate. And having had the good fortune to recognize that what I was experiencing probably had nothing to do with whoever that person actually is, I did not burden her with “my stuff.”

The actual person, by the way, was tall, raven haired, wearing a formal black gown with ruffly sleeves. Since the sighting was mid-afternoon on a weekday, it occurred to me that she might actually be a he. Her outfit was stately, but also over-the-top flamboyant. And she moved at a pace, and with enough of a swish, to suggest she might be strutting “her stuff” a bit.

Another of my cockamamy theories is that the unconscious revels in acceptance of conflicting info, perhaps even spontaneously generating within itself the opposite of everything it encounters. If so, that may foster something like psychic equilibrium and allow us to think creatively, presenting alternatives to actuality. Consequently, one of the things I think we are obliged to do when we create linguistic strings that allow us to communicate with each other is to decide which of the opposites we’ll go with. In other words, it seems just right to me that the projection of psychological material I experienced would have a pre-differentiation, androgenous aspect.

And regarding the method I employed while courting the avatar, one of the things I did was compose and contemplate the following haikus. Each is a free-standing vignette rather than episodes in a single story.

a few seem favored
she does not explain herself
prayers are pointless

night’s spectral pageant
hallowed undertow of sleep
rapture in repose

her wild black stallion
runs free in the temenos
white star on his brow

no rest for the king
she declares the rites corrupt
he wanders with shades

her legion ravens
pepper the citadel sky
nothing moves unseen

I am not her friend
nonetheless she speaks through me
words she bids me voice

Regarding the last haiku immediately above, it occurred to me to say that it should not be taken literally. But upon reflection I hesitate to make so definitive a statement. If she has indeed become an active agent residing largely in my unconscious, then how can I know with certainty what she is up to. I mean, “They don’t call it the unconscious for nothing.” Which then begs the question, have I been courting her, or her me? Or possibly both? Perhaps the last haiku above is her best understanding of our relationship, or at least her understanding at the time I penned the poem. Or perhaps it might be pertinent to suggest that she and I are aspects of a single process that is working on something, the goal of which is not fully known to either of us.


An afterthought (8/8/25): I previously had an odd experience in the MUNI underground that you might find amusing. Perhaps it’s time for me to read up on the psychological implications of associations related to subterranean spaces.


Another afterthought (8/16/25): Early yesterday morning, while in the edge of consciousness zone I was exploring the possibility of thinking of the avatar of the edge as a Cassandra figure. I feel lots of empathy for her … blessed with foresight and cursed to never be believed. But as I thought the name Cassandra, the name Persephone was returned. I’m sure I had encountered that name previously, but I could not remember her story. So, hours later, after breakfast, I googled Persephone and learned that in Greek mythology she is primarily known as the Goddess of the Underworld and Queen of the Dead. The Goddess of the Underworld image feels so right as a personalization for the avatar of the edge since, in psychological circles, Underworld is often thought of as a representation of the unconscious. Consequently, I’ve renamed this post “Persephone” (I had originally named it simply “Her”).

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But wait!

But wait!

The way the image above evolved was that I came upon a public domain photo of the façade of a New York apartment building. I thought it was wonderful and began playing with a copy, trying to equalize the saturation and draw out additional details. As I proceeded, I found the open window intriguing. Stories began to occur to me. The one I was most attracted to was of something having escaped into the sky. The eagle is from a stock photo I found on the web and purchased permission to use. That’s me reaching after the bird.

Any thoughts you might care to share on this piece would be most welcome.

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How long were we asleep?!

Confusion at sunset

During a walk by the ocean, while thinking about some public domain material I’d come across recently on the web, a story idea came to mind. The image above is the outcome. The guys and the boat, and their reflection on the water, are from Heinrich Kuehn’s sepia-toned photo titled Venice, c. 1898. The sky and its reflection on the water are from a painting called Rhode Island Coast by William Trost Richards (b. 1833, d. 1905).

I’d be very grateful for any thoughts you might have about what I’ve done here, and how you feel about me standing on the shoulders of giants when I piece together elements of deceased masters’ works into a new image.

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Shaman

Shaman

When I completed the Faun image presented in my previous post, I found myself at a loss regarding what to do next. It crossed my mind that it might be fun to try to represent a time before all human-crafted physical and mythic structures, and perhaps even suggest beauty entirely outside of time. The image above arose in my imagination and realizing it in pixels has been a joy.

As details of the composition formed in my thoughts, I wondered, “What’s the story here?” Perhaps that a beautiful, unselfconscious creature seeks communion with her world? But that’s just where the image takes me. I hope if you fall into it you’ll go some lovely place.

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Faun

Faun

As I understand it, way back in the day the Roman’s thought that special places…stately groves, shimmering pools, intensely lovely country lanes…had personalities. Each had a spirit. A genius loci. My guess is that the cluster of mental material that accumulated in the minds of frequent visitors to such places caused place-specific personalities to form in their thoughts. That’s the sort of thing I’m playing at with the image above, which I think of as sort of a capriccio. A fantasy of a bygone place and time.

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Facade and Reflection

Facade and Reflection

The façade pictured in the image above belongs to the second and third floor of a building on Grant Avenue in San Francisco which I photographed in February 2003. That façade is NOT an element of the lovely Peabody Hotel in Memphis, Tennessee, at which I had the pleasure of helping to stage a conference in the 1980s.

A fun attraction of the Peabody continues to be the twice-daily march of the Peabody Ducks to and from a fountain in the center of the hotel’s main lobby. Another fun but lesser-known uniqueness of the hotel is the “Lead Duck” pin. If you are wondering what a pin made of lead and shaped like a duck could be about you are already leaning in the direction I hope this post will take you.

The pin is given to key folks who are participating in the staging of an event at the hotel. It lets the hotel staff know that the wearer is to be accorded special assistance if requested because they are an event lead…er. Pleasantly aware that “lead” has at least two meanings, and potential humor can arise from a meaning switch, when the hotel’s delightful convention manager presented me with my pin she declared me a “Lead Duck” – pronounced “led” as in the heavy, bluish-gray, soft, ductile metal. I remain very amused.

I love words that can mean more than one thing. From words soulful like tear, to words colorful (another word that also has a couple of meanings) like booty. Which brings me to façade and reflection and the image above.

I think of my own experience of my own experience as a layer-like zone vacillating in a conical space between unconsciousness and consciousness. Imagine on the left side of the screen an immense globe of swirling unconscious material, each mote of which is related to every other mote by a gazillion associative connections. On the right side of that globe imagine a conical space…a transition area the base of which projects from and interacts with the swirling unconscious stuff. And emerging to the right from the apex of the cone is a line of thoughts, formed when the unconscious stuff moves and is processed through the cone into a linguistic-like conscious thread that allows me to purchase a jar of pickles, open it, and tell you about it.

Regarding that conical space, I think of myself as sort of a band or layer that moves back and forth between the unconscious base and the conscious apex. Often hovering nearer the base than the apex. Especially lately since I’ve been willfully courting a state that, with increasing frequency, allows what I see there to linger as images that can be recalled. Images from a depth within the cone that precedes the point where one or another related meaning gets designated as the next bead in the linier conscious thread – from a depth at which differentiation between things has not yet occurred.

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Stewball

Stewball

I often sing while cooking and doing the dishes. For three consecutive evenings in early April 2024 while preparing for and cleaning up after dinner I serenaded myself over and over with a song called “Stewball”. It’s about a race horse and not a particular edifying ditty, but it seemed to have taken hold of me,

I generally sing several songs during each dinner prep and dish-washing session, so by evening three, having sung nothing but “Stewball” I had to ask myself, “Why? Why? When there are so many songs you could be singing, why Stewball?” As I lay in bed that night waiting for sleep the question was still in my thoughts, and it seemed as if the melody was playing softly somewhere nearby.

The next day I rode the J Church MUNI line inbound to Downtown San Francsico. As we entered the underground segment of the journey, I noticed that a pleasant looking fellow with curly gray hair and wearing a well-worn flaxen coat was sitting near the rear door of the car softly playing sort of jazzy flamenco on a venerable guitar. I got up and sat near him explaining that I wanted to hear better. He smiled and played a little louder, meandering through several melodies and then…you guessed it…he began to sing “Stewball”. By the time he got to the last verse I was sufficiently recovered from my muddled thoughts to sing along.

The minstrel does not appear to be a phantom. I have bumped into him twice subsequent to the Stewball encounter, both times above ground and in broad daylight. His name is Jerry. He tells me that he often plays from 1 to 2 PM on weekends at Bird and Becket Books and Records in SF’s Glen Park neighborhood.

If you found what you just read more interesting and/or amusing than annoying I encourage you to check out my 2012 post The Rabbit of Synchronicity.

And for your listening pleasure, The Hollies give you Stewball.

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Dream 1/23/24

Dreaming

The location is a drab, dimly lit, open office interior.  Everything wears a layer of rusty grime.  I can’t see them, but I know others are within earshot.   My boss, a sandy-haired man in his forties, wrinkled long-sleeve white shirt and khaki pants, is standing turned away from me, speaking calmly but loud enough to be heard by anyone on the floor that might choose to listen.   He is berating me.  Stating in well-chosen words that I am not capable of being on the same page with him because I am not smart enough to understand his ideas and what he is trying to do.

I’m sitting on the floor in a dark narrow hallway.  My assistant is sitting across from me saying he thinks my boss is fond of me and the harsh rebuke was for show to make people believe that I am not aligned with him…that he is trying to protect me because he knows his activities have gotten him into trouble and he does not want to drag me down with him.

My assistant reminds me that I was hired because I am a poor subject for hypnosis.  Because when hypnotized the eye of my awareness turns inward and I ignore the instructions the hypnotist gives.

I sense that I have a mental impairment.  Something that inclines me to prefer not to speak.

My assistant and I exit the building leaving tracks in newly fallen snow.  My assistant turns to the left and walks away leaving a trail of footprints behind him.

I see myself, viewed from above and behind my boss who is watching me from a window on the second floor.  I turn to my right and walk away leaving a trail of footprints, but there are no footprints in the snow in the direction my assistant departed.

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Brittle Husks / Hollywood 1973

Brittle Husks

Imagine you and I are having a conversation and it occurs to you that what I’m saying does not seem entirely genuine. Perhaps you find yourself wondering, “What does he really think?” And if you asked, I’d probably try to come clean, but I think that even if I threw myself into the task with abandon and total sincerity whatever I said would be as vapor rising from a vast ocean swarming with life below the surface of consciousness. Strictly speaking, I think I’d only be able to say what I think I think. In other words, I think that much of what I’m thinking at any given time is a feeble work in progress emerging in response to immediate conscious circumstances profoundly influenced by a tumultuous underlying universe of unconscious material.

In the movies we often see a whiteboard to which photos of bad folks have been taped, and lines drawn on the board between the photos indicate who is related to who. And sometimes in the movies we also see a basement or attic or garage where a loner has covered the walls, and perhaps even the floor and ceiling, with photos, news clippings and scribbled notes, connected by a dense web of threads that tie together pieces of an improbable conspiracy. I think both the detective’s careful plotting and the loner’s largely incomprehensible web are different flavors of metaphor for the way the human mind connects mental material, only the web of interconnecting threads within any individual’s mind is millions of times denser, with literally every scrap of mental material connected through millions of hops to every other scrap.

I think a detective’s whiteboard is especially metaphoric of the mental activity of someone who has developed the ability to willfully ignore connections that don’t seem pertinent to whatever conscious task is at hand…especially tasks that involve teamwork and require agreement among the participants regarding the basic details of their shared perceived world and what’s to be accomplished and how.

And then there is the poor devil, often characterized as “a conspiracy nut”, whose ability to ignore mental connections is somewhat limited. For such folks, I think, no matter what is being considered, connections are included to various clusters of mental material that have acquired a sort of gravitational pull. And that pull grows stronger each time it is indulged, which is often. In extreme cases I think even when “a conspiracy nut” is discussing the price of tomatoes their words and actions are leavened with ideas about pyramidal structures on the surface of Mars or the suppression of reports of Big Foot sightings.

I will cop to a certain amount of conspiracy nuttiness since it seems to me my understanding of myself and my relations with everything I’m consciously aware of drifts on a sea of unconscious material, every iota of which is connected to every other iota. Most of the time, like a detective earnestly working a case with like-minded colleagues, I willfully ignore all but a relatively few connections. And those most frequently favored connections find expression in habits of behavior that others perceive as my personality. But at other times, like while working on the image above, I think webs of connections usually ignored find overt expression, in this case through arrangements of pixels that I was moved to set in place to a significant degree under the influence of lots of unconscious stuff.

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Sky Lizard Revisited

Sky Lizard

The 2022 Winter Solstice image at right is my final collaboration with the extraordinary woman I had the marvelous good fortune to share a life with since our high school days in the 1960s.  Throughout the six-months during which the solstice image evolved, she guided the effort with insights and inspirations around color choices, perspective, figure proportion and posture…  All the fine stuff.  And she poked me, mercilessly, when necessary, to eliminate contradictions – anything her sensation instincts told her was not true to the overall unity of the composition.  But dearest in my recollection is her delight when something we’d noodled over together began to manifest on the screen.  That’s what I will miss the most.  Her delight.

The image background is adapted from Basil Valentine’s 1671 “Table of Chemical & Philosophical Characters.”  We thought it would be fun to suggest a point along the arc of evolving human consciousness from which the foreground image might have spontaneously emerged.  The context.  And we tinkered with the parchment tone a lot, looking for a hue that seemed to push the bluish beasty upward.

The foreground image…the Sky Lizard…is a subject that has been writhing around pleasantly in my thoughts pretty much throughout my life.  I wrote about some of my previous engagement with the creature in a 2012 blog post.  I wonder as time passes whether I will be able to feel that with the rendering presented here I have fulfilled my responsibility to bring the unlikely being fully into the world.


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